Thanks to the evolution of the printing processes and the creation of software, the design of book covers has taken a turn of 360, but it has always been a factor of great importance that any reader appreciates
The variations range from style, following the aesthetic ideals of the time, to the different processes of creation; finding woven covers, hand painted or even pressed. John Lord Peck. Dress and Care of the Feet. New York: Fowler & Wells, 1871 Moses Wolcott Redding. Standard Ahiman Rezon and Blue Lodge Guide. New York : Redding & Co., 1889 Antal Radó. Költők Albuma. Budapest: Robert Lampel, 1904 Andrew Lang. The Book of Dreams and Ghosts. London ; New York ; Bombay : Longmans, Green, 1897 – Fuente Felix Schloemp. Das unheimliche Buch. Munich: Georg Mueller, 1914 – Fuente Walter Crane. A Floral Fantasy in an Old English Garden. London: Harper, 1899 – Fuente Montague Browne. Practical Taxidermy. London: ‘The Bazaar’ Office, 1878 – Fuente Charles Kingsley. The Water Babies. London: Macmillan and Co., 1886 – Fuente Thomas Smith and J.H. Osborne. Successful Advertising: It’s Secrets Explained. London: Smith’s Printing, Publishing and Advertising Agency, 1897 E. A. Bowles. My Garden in Spring. London: T. C. & E. C. Jack, 1914 – Fuente. Cover design by Katherine Cameron Cordelia Harris Turner. The Floral Kingdom. Chicago: M. Warren,1877 – Fuente Richard Bowdler Sharpe. Sketch-Book of British Birds. London: Society for Promoting Christian Knowledge,1898 – Fuente Frances Trego Montgomery. On a Lark to the Planets. Akron: The Saalfield Publishing Co., 1904 – Fuente The Yellow Book. Volume III. October, 1894. London: John Lane. – Fuente. One of the many covers for the journal executed by Aubrey Beardsley C. Lockhart-Gordon. To the End. London: John F. Shaw and Co., 1898[?] – Fuente
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